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The Clarion Application
January 28, 2006

The application for the Clarion writing workshop asks for two stories, representing what I feel are my best stories to date. Each story should be between ten and twenty-five pages long. So here's the thing:

It's been three years since I've written anything even close to that range. My stuff of recent years (and the stuff I'm most proud of) tends to run either way longer or way shorter than that. I've been unsuccessfully working this month to try to produce new stories in that range, but I've got to either pad the hell out of the flash fiction or cut far too much stuff out of the novelettes. No amount of font-fiddling and margin trimming is going to change that.

I've already decided that my big focus between now and Clarion (if I get in--a bigger if with this weakness in my application) will be to get my stories finished with less time and smaller wordcounts. I imagine I won't be too popular with the classmates if I produce nothing but 10,000 word stories for them to critique, and I probably won't get as much out of attending if during my time there I only produce one or two stories to get feedback on.

But for now, do I submit the older stories and hope for the best? Or do I delay my application until the last minute, hoping that I can produce something better (and in the right range) within the next two months? Until now I've always thought of my obstacles to Clarion being time and money. Now that those are smaller obstacles this year, am I just now realizing my biggest obstacle: that after seven years of making a go of this I'm just not ready yet?


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When I applied, I had one story in that range and two shorter ones that I felt were the best representation of my work. I contacted the director of the program and asked if I could send the two shorter ones and one longer one in lieu of two longer ones, and he said sure.

They want to get a good sense of your writing ability, and flash fiction, no matter how good you are, doesn't typically do that. So if you're concerned about story lengths, just email the director and ask what would be okay.

Posted by: Jason Erik Lundberg at January 29, 2006 12:02 AM


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I think you should ditch the fiction and go with a juicy tell-all memoir. You know, something really gritty and "cutting edge" about your hard-living days as a boozer and coke head at a small Ohio liberal arts college. Sure, you might have to alter a few minor little details, maybe an embellishment or two......but, don't worry, Sam and I will totally vouch for you if anyone questions your stint in the Ashland County jail for going ballistic in a crack-driven rage after a night of binge-drinking and doing lines at a cast party. Write in really rambling, repetitive sentence fragments without any punctuation or imaginative word choices. Just talk a lot about vomit and peeing all over yourself.....oh, and use a lot of profanity. Now THAT is some Oprah-worthy great literature, man :)

Posted by: Maria Getz at January 29, 2006 2:14 AM


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Good idea, Jason. I'm going to keep working to have two new pieces ready by the 15th of Feb (the early application deadline). If I'm still having a problem, I may contact them and see what's the better choice. Right now my best work is over 50 pages for one story, but even if I could widdle that down to 40-something, plus a a three-pager, that might be pushing it...

Thanks, Maria. Always great to have a voucher. If only I went to Denison... Actually all my science fiction is just thinly-veiled memoir. I'm just an exciting guy is all.

Posted by: Alex at January 29, 2006 10:42 AM


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Alex Wilson Writer

Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, Weird Tales, The Florida Review, Futurismic, Shimmer, ChiZine, FutureQuake, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say.

Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate.



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