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Back to Journal ![]() « Who's a MARRIED Mac Man Now? | The Cajun Sushi Hamsters | A Quarter Century Birthday Present » The Cajun Sushi Hamsters August 9, 2001 (Selected republication of old entries from the pre-Movable Type journal...) So much has happened (you know, that wedding and honeymoon stuff) since my first day as a Hamster that I probably don't remember as much as I should. But I'll do my best. I don't know many writers. Never have. The friends I've had in college and high school who've shared my interest in writing were usually more interested in the life of the writer. The tortured artist at the bar. The sitting under a tree with a pen or a laptop. The dream of sitting in a street cafe in Paris or San Fransisco smoking unfiltereds, wearing artist hats, and just "being" a writer. Sure, there was the semi-monthly ritual of one of them actually writing something--and the rest of us would stop whatever we were doing and go mad over this piece of actual prose or poetry. But it wasn't disciplined. It wasn't constructive. And it wasn't beneficial or nurturing for my actual writing.
So it's been a solo act, a solo dream, and a solo project. I've gotten involved with a few online communities including the Speculations Rumor Mill and I've even joined an online critique group. The former helped me understand that I wasn't alone. The latter helped me realize my need for face-to-face contact with other writers. I've had dreams of Clarion, but I'd just started a new job last year and this year it would've conflicted with the wedding and its preparations--which was not a sacrifice I was willing to make, even for my writing. I'd heard about the Hamsters by looking at a few writer websites. I've been a fan of Geoffrey Landis for about as long as I've been reading SF short fiction, and I "knew" Toby Buckell through the Mill. It was at their sites that I first learned--probably about a year ago--about the Cajun Sushi Hamsters--a Cleveland-based writer critique group. I told myself that I would ask to join at some point in the next year, even though I knew I didn't have anything on the members of the group. For the story about how I met Toby and a few of the others briefly, see the journal entry called Even Performers Get Embarrassed/Meeting Other Writers back in January of this year. Toby convinced me to go to my first convention (which I did) and then to submit something to the Hamsters to see if they'll have me. I finally got up the guts to do so a few months ago and, after a brief review of a few of my stories, they accepted me into their group. My first meeting with them was in June, about a month before my wedding. We talked about all things writing and science-fiction related--which I believe is almost as beneficial for me at this point as the critique was. We looked over a few short stories including one of my own--and I liked the wide range of harshness and depth of the reviews. It made me angry that I'd forgotten to fix something from an earlier draft and only half-adapted it to the draft I submitted--which threw everybody off (including myself), but you gotta learn somewhere. And with the help of their comments, I think I can make the piece into a publishable story. Even better, I think I'll be able to avoid many of the mistakes I made in the future. I can see myself growing as a writer already. The critiquing of other's work was also an interesting experience. I found other people making comments I thought to make--but didn't because I wasn't sure if they'd be appropriate. And (again, even better), I found that other perspectives of the stories (things I didn't catch, and interpretations I never thought to make) enhanced my abilities as a reader and self-editor. But the best flattery I received came when we were eating dinner and subjects and themes of my story crept into the general conversation. That was cool. I'm purposefully not getting too specific here. I don't think it would be acceptable to talk in any detail about the goings-on of a private critique group. But I'll stick an enthusiastic thumbs-up for the experience and encourage anyone who's on the fence to join face-to-face critique group. Online interaction just isn't the same.
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Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, LCRW, Weird Tales, The Florida Review, Futurismic, ChiZine, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say. Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate.
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