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 (just the) "Tin House" Entries 2007 Submission Log: Week 26 - Halfway Point June 30, 2007 Submissions 397-399: Stories to Strange Horizons (my 10th), Weird Tales (my 4th, but first under current editor Ann VanderMeer), and the 13th Chiaroscuro Short Story Contest (my first, but I've submitted to Chizine before). Rejections 275-279 Strange Horizons (20 days on a story; no comments this time), Shimmer (10 days on a story; "just wish there'd been more spec"--meaning "speculative element") and Tin House (12 days on a batch of poems sent for the Winter issue; form letter) Of Interest: I forgot about this last week: Doug Cohen (slush editor for Realms of Fantasy) emailed me to let me know that my current story submission will be passed to Shawna, which makes two in a row for me (my only two times getting past Doug since he joined the fray). And I woulda hit 400 subs today, but I misremembered a playwriting deadline as "postmarked by" instead of "received by." Now I've gotta get all angsty and superstitious about what that milestone sub should be.
 2007 Submission Log: Weeks 20-21 May 29, 2007 Submissions 386-390: Stories to Interzone (my 2nd), ParaSpheres (my 1st) and Tin House (my 5th). And two more entries into the New Yorker Gag Cartoon Caption Contest. Rejection 265: 62-day rejection from Strange Horizons, with a note about humor being subjective. Of Interest/Queries Corner: After ten unanswered queries to Marvel, I've received my first ever response! It was a form letter saying that I don't quite have what it takes to be an illustrator for Marvel yet. Which I agree with. Which is why I queried them as a writer looking to pitch some stories. But if that wasn't clear, then my writing chops really need work. (Or maybe it was just payback for this submission faux pas). So I have finally gotten Marvel to open one of my envelopes. I know this because the form letter came in one of my SASEs. Now how do I get an editor to read what I send them? It just might take ten more queries before I figure it out...
2007 Submission Log: Week 18 May 9, 2007 Including my 100th submission since I graduated from Clarion nine months ago! Submissions 374-380 Stories to MF&SF (my 17th), Futurismic (2nd), and Realms of Fantasy (8th). Poetry to Sport Spec (1st) and Tin House (2nd-4th). Rejections 260-264 Asimov's (sent 1/17). Gizmodo. Sporty Spec (3 days). ASIM (Sent 2/13, Hold request on 2/17.) Powers Letter Column Writing Contest. Some nice comments in the Asimov's rejection. Of interest: Don't want to jinx anything, but I might be over that "post-Clarion writing depression." Only took nine months and 101 submissions to do it, but here we are. I've been shocked at how many writers I've met at Clarion and beyond who say that, more often than not, they actually dislike the act of writing. It shocks me because they're pursuing this as a career just as I am (and in many cases are far ahead of me in their careers), and I guess I don't differentiate my enjoyment from my compulsion when it comes to storytelling. But for me, Pre-Clarion, I would enjoy the act of writing and be pretty pleased with my final results about 60% of the time. There'd be challenging, awful days, but plowing through the tough times and finding solutions to the worst problems generally left me with a feeling that it was worth my time and effort. Some of the bliss would wear off after a few days, of course. But that, too, was a plus because it would give me enough perspective to revise. Now, post-Clarion, particularly with prose, I can probably count on one hand the number of days I've felt good about my work in either enjoyment or satisfaction, much less both. And I write almost every day. But the last three prose stories I've written have been positive experiences overall. This isn't to say they came easy. They just didn't hurt so much, most of the time. And I don't hate what I've written yet. Some Clarion graduates (including successful authors I admire greatly) have said they waited a year after Clarion before they started writing again. I totally get that. I've been at this since 1998 and the only worse writing-year I can remember is after my father died in 2000. So my strategy has been to plow through, and write my way though it. If it's paid off, maybe my reward will be three months of that 60% bliss I was hitting before the workshop. I'll take that. Now let's see if I can't translate that into a sale or two. How's everyone else doing? (I mean besides my classmate Sarah Kelly who just made her first pro sale: a novelette to Analog, no less!!)
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Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, LCRW, Weird Tales, The Florida Review, Futurismic, ChiZine, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say. Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate. Blog Archives 2008 - Clever Label TBA 2007 - BadYearNoCookie 2006 - Clarion! 1st Pro Sale! 2005 - Peers and Peerless 2004 - Telltale Launch 2003 - Dog bites, acting out 2002 - In my mind, I'm going... 2001 - Marriage, Macs, 1st Cons 2000 - Setback, Milestones 1999 - Engaged, Graduated 1998 - Creative Independence    Powered by MT 3.35 MySpace Profile Technorati Profile |
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