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 (just the) "New Yorker" Entries 2007 Submission Log: Weeks 22-24 June 16, 2007 Submissions 391-394: Stories to M&FSF (my 18th), Strange Horizons (9th sub overall, but 6th fiction sub), Asimov's (15th overall, 9th fiction), and Analog (10th). Rejections 266-272: Two from MF&SF (28 days from GVG, 9 days from JJA), Futurismic (32 days), Flytrap (37 days), and the last of the New Yorker Cartoon Caption Contest non-placers which I'll be counting here (see below). Of Interest: Of my last six subs to MF&SF, it looks like every other one got to GVG, and often not the ones I'd expect, based on my judgment of the stories and my reading of the magazine. Decided to stop counting Cartoon Caption Contest entries as submissions, because I don't want it to get to the point where I've "subbed" there more often than I have anywhere else. Might still throw jokes their way, so long as I have stuff in the New Yorker's "real" slush pile. But it's a throwaway thing, on the off chance that my name will flash across an editor's eyeline, but it was never an important part of my submission strategy. Writers of the Future has posted its 2007Q2 Finalists to its blog at just 60 days from the entry deadline. Nice because this has freed up my entry-story to send it to another market, even before I got my rejection.
 2007 Submission Log: Weeks 20-21 May 29, 2007 Submissions 386-390: Stories to Interzone (my 2nd), ParaSpheres (my 1st) and Tin House (my 5th). And two more entries into the New Yorker Gag Cartoon Caption Contest. Rejection 265: 62-day rejection from Strange Horizons, with a note about humor being subjective. Of Interest/Queries Corner: After ten unanswered queries to Marvel, I've received my first ever response! It was a form letter saying that I don't quite have what it takes to be an illustrator for Marvel yet. Which I agree with. Which is why I queried them as a writer looking to pitch some stories. But if that wasn't clear, then my writing chops really need work. (Or maybe it was just payback for this submission faux pas). So I have finally gotten Marvel to open one of my envelopes. I know this because the form letter came in one of my SASEs. Now how do I get an editor to read what I send them? It just might take ten more queries before I figure it out...
2007 Submission Log: Week 19 May 14, 2007 Submissions 381-385 Poetry to Mythic Delirium (my first three; I believe this is the first time they've been open to subs since I picked up my first copy) and New Yorker (6th submission there), and--since I have something in the slush pile--why not resume throwing my name into the Caption Contest pile again (for the 14th time)? Still at 264 rejections, but I've got some miscellany to cover here: First: I noticed that I skipped rejection 259 in my last two Submission Log entries, which is a shame because it was a fun one. I wrote a humor story for the John Joseph Adams-helmed issue of Shimmer near the beginning of the year. I had some time before the deadline so I sent it to JJA in his role as slush editor at F&SF first. He passed it up to editor Gordon Van Gelder, which I believe is the only time he's liked one of my humor pieces enough to do so. It didn't grab GVG, so I queried JJA to see whether he'd want to consider it for Shimmer. "Yes, please," he said, and off it went. It made it to the final cut before getting the axe, but JJA said he liked it enough that if he had more room in the issue, it would have found a home there. Second: Though I received a quarterfinalist notification for Writers of the Future's 2007Q1 period in my SASE back in March, I recently received a semifinalist notice for the same story, along with a critique by first judge KD Wentworth, in a second envelope. If the critique, which specifically discussed my story, hadn't been included, I'd be inclined to think the semifinalist notice was the mistake of the two, but it looks like I can upgrade my current tally to... Non-placers: 6 Quarterfinalists: 5 Semifinalists: 2 Finalists: 0 Placers: 0 ...with my 14th entry awaiting a verdict for 2007Q2. Small victory there, I guess. Third: I began sending out queries last month. Not sure whether/how to tally them here. I figure queries are going to be a big part of my writing life over the next few years, so I better come up with a system before I get overwhelmed.
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Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, Weird Tales, The Florida Review, Futurismic, Shimmer, ChiZine, FutureQuake, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say. Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate. Blog Archives 2008 - Clever Label TBA 2007 - BadYearNoCookie 2006 - Clarion! 1st Pro Sale! 2005 - Peers and Peerless 2004 - Telltale Launch 2003 - Dog bites, acting out 2002 - In my mind, I'm going... 2001 - Marriage, Macs, 1st Cons 2000 - Setback, Milestones 1999 - Engaged, Graduated 1998 - Creative Independence    Powered by MT 3.35 MySpace Profile Technorati Profile |
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