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 (just the) "Clarion" Entries "Dry Frugal with Death Rays," now at Futurismic August 5, 2008 My story Dry Frugal with Death Rays is live as this month's featured fiction at Futurismic! It's an absurdist (or at least absurd-ish) SF office romp loosely inspired by (a) a Bruce Jay Friedman short story called "The Punch" and (b) Joseph Heller's Catch 22.  This is my first story written post-Clarion to see print and my third submission to Futurismic. And, while not an SFWA-qualifying sale, I _believe_ this puts me at one sale away from Writers of the Future ineligibility. Thanks to Jen, James Maxey, Abigail Ferrance-Wu, Jud Nirenberg, and Bill Ferris for giving the story a critique last year. Couldn't have sold it without ya.
 SALE! - "Dry Frugal with Death Rays" to Futurismic July 3, 2008 "Dry Frugal" is an oddball science fiction story, about 6500 words. Think "The Office" meets Catch-22 meets Alex as a poor substitute for Vonnegut (so lower those expectations, cool?). Futurismic is a popular futurism blog which publishes science/tech articles and tidbits, plus monthly fiction of the near-future and/or gonzo-satirical variety. This was my third sub to them. I'll talk more about the story when it appears online, possibly as early as next month. But I'm extra proud, for two reasons. First, it's one of my rare successes with humor. Most of what I've been placing are barely-successful attempts at "more serious" things I have less interest in. But as I'm developing my "voice," stories like this one--which tries to touch on the human condition in sometimes light-hearted, sometimes dark-hearted ways--are the sweet spot. The more stories like this one I place, the better I feel that my published work is representing me properly, even at this early stage of my fumbling through the writing jungles. And then there's the length. A problem when sending my Clarion application back in January 2006 was how far back in my repertoire I had to go to find a story that was between "ten and twenty-five pages." I tended to write flash fiction (too short) and novelettes (too long). I was lucky what I found to send in even qualified as stories. I've been working on normal-length stories since, and I'd view a few of them as among my best work to date. This is the first of them to find a home. Besides my novelette "Outgoing," this is my longest story sale by half. Next longest, at 2800 words, was my most recent sale "Harp" a month or so ago. Here's hoping good news comes in threes. Or tens. Tens work, too.
2007 Submission Log: Weeks 31-32 August 14, 2007 Submissions 414-415 Two comics pieces to MAD Magazine about a week apart. Rejections 292-294: Weird Tales, story, 36 days. The New Yorker, gag cartoon, 32 days Actor's Theatre of Louisville, play, 285 days Of Interest: MAD Magazine just might be the first place I ever submitted anything, back when I was a kid (and before I started keeping track). IIRC they didn't actually _take_ subs back then, though. Don't remember whether I ever got a reply. Quite a different experience to be following the guidelines, though they still say they don't reply to every query. Still: the one part of DC Comics that actually considers script submissions. Until Vertigo answers a query, this is as good a bet as any. The one year anniversary of my graduation from Clarion hit a week ago. I'll say more about that later this week.
2007 Submission Log: Week 18 May 9, 2007 Including my 100th submission since I graduated from Clarion nine months ago! Submissions 374-380 Stories to MF&SF (my 17th), Futurismic (2nd), and Realms of Fantasy (8th). Poetry to Sport Spec (1st) and Tin House (2nd-4th). Rejections 260-264 Asimov's (sent 1/17). Gizmodo. Sporty Spec (3 days). ASIM (Sent 2/13, Hold request on 2/17.) Powers Letter Column Writing Contest. Some nice comments in the Asimov's rejection. Of interest: Don't want to jinx anything, but I might be over that "post-Clarion writing depression." Only took nine months and 101 submissions to do it, but here we are. I've been shocked at how many writers I've met at Clarion and beyond who say that, more often than not, they actually dislike the act of writing. It shocks me because they're pursuing this as a career just as I am (and in many cases are far ahead of me in their careers), and I guess I don't differentiate my enjoyment from my compulsion when it comes to storytelling. But for me, Pre-Clarion, I would enjoy the act of writing and be pretty pleased with my final results about 60% of the time. There'd be challenging, awful days, but plowing through the tough times and finding solutions to the worst problems generally left me with a feeling that it was worth my time and effort. Some of the bliss would wear off after a few days, of course. But that, too, was a plus because it would give me enough perspective to revise. Now, post-Clarion, particularly with prose, I can probably count on one hand the number of days I've felt good about my work in either enjoyment or satisfaction, much less both. And I write almost every day. But the last three prose stories I've written have been positive experiences overall. This isn't to say they came easy. They just didn't hurt so much, most of the time. And I don't hate what I've written yet. Some Clarion graduates (including successful authors I admire greatly) have said they waited a year after Clarion before they started writing again. I totally get that. I've been at this since 1998 and the only worse writing-year I can remember is after my father died in 2000. So my strategy has been to plow through, and write my way though it. If it's paid off, maybe my reward will be three months of that 60% bliss I was hitting before the workshop. I'll take that. Now let's see if I can't translate that into a sale or two. How's everyone else doing? (I mean besides my classmate Sarah Kelly who just made her first pro sale: a novelette to Analog, no less!!)
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Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, LCRW, Weird Tales, The Florida Review, Futurismic, ChiZine, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say. Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate. Blog Archives 2008 - Clever Label TBA 2007 - BadYearNoCookie 2006 - Clarion! 1st Pro Sale! 2005 - Peers and Peerless 2004 - Telltale Launch 2003 - Dog bites, acting out 2002 - In my mind, I'm going... 2001 - Marriage, Macs, 1st Cons 2000 - Setback, Milestones 1999 - Engaged, Graduated 1998 - Creative Independence    Powered by MT 3.35 MySpace Profile Technorati Profile |
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