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Longwinded Thoughts on Deep Dish Theater
November 5, 2003

(Selected republication of old entries from the pre-Movable Type journal...)

Hedda Gabler I auditioned for Deep Dish this summer before their season was finalized. It was my second (of two) theatre auditions. They called me back in late September to read for George in Hedda Gabler. I was just beginning to understand that the film I was working on wasn't going to get made. The leading lady couldn't work with the director, so the director cut off all contact. After that and "Fork in the Road," which might never get out of post-production, the idea of going back to theatre--where there was a much better chance of seeing a project through to the end--was very appealing.

I read with Dorothy Brown and Mark Miller, two veteran actors in the area who just blew me away. I felt more than a little outclassed. I wasn't surprised to find out that both of them were cast. I was surprised to learn that I was cast in the same show as them.

But I tell friends around town about the theatre and they haven't heard of it. I tell them about the mall the theatre is in and they don't know about that either.

Yes, the theatre is in a mall that nobody knows about. And those who frequent or even work in the mall don't seem to know about the theatre. You have to go through an antique shop with which it sort of shares a mall lot. The store is in the front (with a mallview) of the long rectangular lot and the theatre is in the back, which otherwise might be used for storage. I guess it's kind of like dividing a swimming pool in half and saying, "I get the top half; you can only swim in the bottom half." But it apparently works out well and the store owners and operators seem really nice about it.

All that's not terribly surprising for a community theatre using a found space. What surprises me is that in spite of all this, Deep Dish's shows consistently sell out and get great reviews from critics in the area.

It also surprises me that when I thought about doing a community theatre, I certainly didn't expect to be working with such professional actors. And that an acting veteran like Mark lets me repeatedly pick his brain about the industry. And that I'm working under a director who is at once probably the most organized and "knows-what-he-wants" artist I've ever met, yet lenient and open in all the ways that encourage people working with him to step up with their own creativity. The actors are paid, the sets are incredible, Judy (the costume designer) took measurements at the first readthrough (talk about organization!), and, again, it's a theatre in a mall that nobody seems to know about.

A big and popular regional store called "A Southern Season" just relocated to the mall about a month ago, though, so maybe the mall will finaly appear on people's maps. There's already a great little pizza place with a mean chicken parm sandwich, as well as a hobby shop that sells puzzles and role-playing games. I definitely think the location has potential.

(continued next entry)

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Alex Wilson Writer

Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, LCRW, Weird Tales, The Florida Review, Futurismic, ChiZine, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say.

Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate.



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