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Back to Journal ![]() « International Dialects of English Archive | Interroview | Prose - China Mountain Zhang » Interroview April 11, 2005 At Weaver Street a certain local blogger and I were balking last week about some of the more uninformative memes out there ("How many songs with 'biscotti' in the title do you have on your iPod?"). So to ward off bad karma (I have to work extra hard because I don't believe in karma), I jumped on the first interesting one that I read. First, the rules: 1. Leave me a comment saying, "Interview me." Hopefully with a word or two (or website URL) so I know who I'm addressing and address you accordingly. 2. I will respond by asking you five questions. I get to pick the questions. 3. You will update your website with the answers to the questions and leave the answers as comments here (or at least provide a pointer to your site). 4. You will include this explanation/ruleset and an offer to interview someone else in the same post. 5. When others comment asking to be interviewed, you will ask them five questions. (If by chance a bunch of people want to be interviewed, I reserve the right to only ask questions of the first two or three.) Now my answers to local author/publisher Jason Erik Lundberg's questions: 1) What made you decide to start up Telltale Weekly? I had some recording equipment for my music projects years ago and had to sell it all for space-and-money considerations and I think in the back of my head I've always been looking for a reason to buy the equipment back.
Recording copyright-free works is nothing new. Offering them cheap is no big deal. But making them free after five years to perpetually fund and build an audiobook library? That's something that continues to motivate me.
I read a lot anyway, or try to at least. I'm an actor who has little interest in pursuing it seriously beyond the local indie film and community theatre. I love spoken word poetry and think it's a shame it's so hard to find. And recording and editing fiction audio is a great way, as a writer, to really study a work and see its structure--even if I'm more interested in nonfiction and poetry as a listener. Someday if the project's still around, I hope I'll even be able to add my own works to the project. But right now I'm content with recording those who have gone before--as well as offer a way for current peers to see a wider distribution for their own works. Though it is weird to mentioned in Locus and The New York Times and not yet be eligible for SFWA. 2) What is the most embarrassing acting role you've taken? I'm never embarrassed by the crazy stuff (wearing dresses, doing the most unorthadox physical comedy), but I have on some nights failed to connect with audiences or my fellow cast members on stage, which embarrasses me greatly in that I at least failed to meet my own expectations. 3) What about the comics medium appeals to you as a writer and artist? The short answer is that I like pretty pictures and it's a great, underused (and underappreciated) way to tell stories. Longer version. Hmm. For artists working in mass media today, scent isn't practical for anyone but perfume-and-candle designers, and taste requires FDA approval. That leaves us with sight (images and written words), sound (words, music, and noises), and, in recent years, touch (interactivity, user input). With those combinations, you've got a lot of options like prose, poetry, songs, radio drama, film, animation, video games, and comics. With mass media--so not counting live performance--you currently need a player/utensil (iPod, Xbox, television, etc) to enjoy any of this art, with the exceptions of comics and the written word. Sometimes words work better alone. Sometimes they work better with pictures. And sometimes sequential pictures work best on their own. Depends on the story. As an artist (meaning "illustrator" or at least "2D-artist"), I'm only really interested in my own writing. (See #5, below.) 4) How often do you shave your head? Only done it once. And it's grown out now, though short. I did it for the first time last summer, and shaved it every week or so for about three months. I liked the way I looked, but spending twenty minutes a week on it is more than I like to spend on my appearance per month. So I let it grow out for a part. I'm considering shaving it again now that I've switched to an electric razor for my face; if using the electric razor on my head makes it easier and faster, maybe I'll make it my thing. Right now it's just the most recent photo of me, so I use it online. And it scares away the squirrels who eat all the audiobooks. 5) You seem to have many different, yet related, areas of interest (writing, acting, comic-stripping, audio publication, &c.); if you were forced to pick only one that you could do for the rest of your life, which one would it be? It's all about the writing. I act because I enjoy it, but I doubt I'd ever consider it as a career. I do the rest of the stuff is because I can't commission other people to do it for me. Yet. I want to write the scripts for comics, the storylines and dialogue for video games and cartoons, the plays for people (who don't know me) to direct and perform, and the business plans for projects that can be better executed by people who know what they're doing. And I want the people helping me to get paid at least the value of their work, not what pittance I can afford today. If I was smarter, I'd just focus all my efforts on writing prose and poetry now, and build off that success when the time is right to leverage myself into other media. But I'm impatient like that. And curious about opportunities. I wanted to do an online comic, so I did it. I wanted to start an audiobook project, so I did it. While for fields like the fiction market, a self-published novel can be an admission of defeat, other industries (music, video games, comics) encourage self-published works as "calling cards" as a key part of breaking in. I'm picking my battles because time is precious. These days I am trying to be smarter. Learning to say no to myself when I think of new projects to start. Hopefully I'll be in a position someday to not have to say no. But we'll see. Filed under Carrboro Area, Journal, Vanity Smurf
Comments: Discuss this entry at LiveJournal
http://www.cuimhne.net and blog: Posted by: Hel at April 13, 2005 10:25 PM
1. Name three writers whose work or careers you'd like to emulate. 2. In your bio and in your poetry, you write about your car accident with humor. Do you think you were amused at all at the time, or was that a perspective that you gained in the years since? How did writing (before and/or after the accident) help shape that perspective? 3. Tell one of the stories you didn't tell in your bio: cave diving, coming out to society, or the Hungarian bath houses. 4. What's your life five years from now? 5. (Interviewee's choice--answer one or two or all of the following:) So Are y'all a daisy now? OR Did you end up getting honors credit for your feminism major? OR How did you find out about my site? Posted by: alex at April 14, 2005 2:51 PM
Posted by: alex at April 15, 2005 8:58 AM Posted by: Hel at August 28, 2005 8:44 PM |
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Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, LCRW, Weird Tales, The Florida Review, Futurismic, ChiZine, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say. Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate.
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