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Acting Again (My First Film Role pt 5 of 5)
June 7, 2003

(Selected republication of old entries from the pre-Movable Type journal...)

About a week later, I received a call from Brian Elkins, producer of "Fork in the Road." He said they really liked my audition and wanted me to play a big part in the film. They unfortunately were shooting three weekends and I had major conflicts with two of them. I asked them if I could take a smaller part or if they could reschedule one of the weekend shoots--if they could, I'd reschedule my other commitment so we'd all be compromising only a little bit. They said they'd get back to me and a few weeks went by without my hearing from them. I figured it was another fiasco like the one I just went through with the romantic comedy, only this time I didn't have any contact info to bug them about it.

Meanwhile I talked to some actor friends (among them Maria Swinehart who thought I should be auditioning all along), and their overwhelming response was: if you get a chance to do something like this graduate program, you do it. Certainly if I was an actor, this would be a great opportunity. It's something I'm considering in the back of my head. We probably wouldn't be able to afford it for us both to be in school at the same time, and after Jen gets her Masters next year we might need to move again right away. But it's nice to have options. I've got plenty of time to think about it.

Brian finally called again. He had sent me a script over email and someone had typed the address wrong--so they were wondering why they hadn't heard from me. They now wanted me to play a much smaller part, but neither of us would have to reschedule anything.

In my mind, the smaller part was better. I didn't know if I'd like working on film as compared to stage. I love watching film, so it made sense, but I knew there were technical acting skills required for film--remembering what your hand position was for the last shot, etc. It's a whole new world.

During the rehearsal last week, one of the other actors, who is an undergraduate at the same university associated with Playmakers, said the graduate school program was mostly male which blows my big fish theory out of the water, so to speak. I'm not ready to head to New York or Los Angeles, but it's reassuring none-the-less.


The film is a horror film, but Brian and Chris (O'Brien--the director) are much more interested in subtelty. It's not a slasher flick and it's not a Blair-Witch-wannabe. This is their first film (though they've worked in smaller capacity on other projects), but I probably wouldn't have assumed that if they hadn't told us. I've heard the name of Hitchcock invoked as their inspiration and they seem to be doing a lot right. Won't know for sure until I see some footage. For all I know casting me was their first mistake.

We started work on "Fork in the Road" on Friday night. We started sometime between nine and ten o'clock and those of us who stayed until the end (namely me, the crew, and a few actors who didn't want to go to sleep just yet, the crazy fools) packed up the set around six o'clock. I can't remember staying up so late at least since college. We had the traditional indie film setbacks. We blew a fuse, we ran out of extension chords, we ran the batteries and tapes out, barely making it to the end. The stuff you read about.

I headed back on Saturday because I wasn't needed Saturday night or Sunday as many of the other actors were. On my way out of the location though, the radio announced a Tornado Watch for its entire listening area. I tried to call and warn them. But they were all sleeping and I only reached voicemail. Hope the rest of the shoot went off okay.

I have two more days of filming coming up ahead. Turns out I like the technical aspects of filmwork as a nice additonal challenge to what I associate with stagework. Don't know exactly what I'm doing, but I like it. I like the cast and crew and, aside from the long nights, I can't think of any negative aspects of this experience. The waiting around hasn't started bothering me yet. Three of the actors, including me, have only acted on stage before. The others have all done filmwork, and I believe they've all worked on Dawson's Creek--as an extra or as an actor with lines. It was shot only a few hours away, in Wilmington, so I guess it makes sense that they used a lot of local talent. Chris told me it was such a dominant part of the North Carolina filming industry that he saw it on practically every actor headshot he looked at.

Jerry, the soundguy, suggested we write a song together for the film since there's no way we could afford source-music. That's more my element, so we'll see how it goes. I'll bring my guitar next weekend and maybe it'll be even more fun.

Now that we know what we're doing.

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Alex Wilson Writer

Alex Wilson writes fiction and comics in Carrboro, NC. His work has appeared/will appear in Asimov's Science Fiction, The Rambler, LCRW, Weird Tales, The Florida Review, Futurismic, ChiZine, Pif, and Dragon. Locus Magazine has called him a "promising new writer," and Publishers Weekly also has nice things to say.

Alex runs the audiobook project/podcast Telltale Weekly and the writer wiki Guidevines. He publishes the minicomic/zine Inconsequential Art. He is a 2006 Clarion graduate.



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